SCHEDULE

Date

Viewing

Reading

PHENOMENOLOGY, THE BODY & THE SUBJECT

—

Hegel, Phenomenology of Spirit (selections)

Lacan, “Mirror”; Baudry, “Effects”; Williams, “Genres”

Merleau-Ponty, selections: Perception, Eye, Visible

—introductions—

Arrival (Villeneuve, 2016)

Vertigo (Hitchcock, 1958)

Jeanne Dielman (Ackerman, 1975)

8/29

9/5

9/12

9/19

FILM | PHENOMENOLOGY

Gravity (Cuarón, 2013)

—no class—

Blowup (Antonioni, 1966)

The Passenger (Antonioni, 1975)

9/26

10/3

10/10

10/17

Deleuze, Cinema 1 (ch. 1-8)

—no class—

Deleuze, Cinema 1 (9-12) & 2 (1, 2, 4)

Deleuze, Cinema 2 (6-10)

THE “HAPTIC TURN”

The Piano (Campion, 1993)

Under the Skin (Glazer, 2013)

Antichrist (Von Trier, 2009)

10/24

10/31

11/7

Sobchack, Carnal Thoughts

Marks, Touch: Sensuous Theory

Barker, The Tactile Eye

NEW DIRECTIONS

Méliès 1, 2, 3, 4, 5, 6, 7, 8 (c. 1900)

Stranger Things (Duffer Bros, 2016)

“Cannibal,” Gamer (Taylor, 2009)

The Lobster (Lanthimos, 2015)

final paper due

11/14

11/28

12/5

12/12

12/19

Väliaho, Mapping the Moving Image

Trigg, The Thing

Shaviro, Post-Cinematic Affect

Chen, Animacies